History of Color Black and Art

black in other languages

There is no visible light in black because visible light is completely absorbed. As with other achromatic colors, white (the opposite) and gray, its color is devoid of hue. White represents light, while black symbolizes darkness. For printing books, newspapers, and documents, black ink is the most common color because it has the highest contrast with white paper and is the easiest to read.

The most common way to format a computer screen is to use black text on a white background. For the darkest tones in color printing, it is combined with the subtractive primaries cyan, yellow, and magenta. In ancient times, black and white were often used to describe opposite values, such as truth and ignorance, good and evil, the Dark Ages versus the Enlightenment.
Throughout history, black has been a symbol of solemnity and authority.

Therefore, judges wear black at court. Neolithic cave paintings were painted in black for the first time. Many European government and royalty officials began wearing them in the 14th century. In the 19th and 20th centuries, it became popular among English romantic poets, businessmen, and statesmen There are many ways to say black in different languages. The color was associated with mourning and sin over the centuries, as well as with death, evil, and witchcraft in the Roman Empire. European and North American surveys have consistently found that it is the most commonly associated color with mourning, the end, secrets, magic, force, violence, evil, and elegance.

In the beginning, black was the most used color in art. Cave art drawn by paleolithic artists in France dates from 18,000-17,000 years ago and depicts bulls and other animals. In the beginning, they used charcoal, then burned bones or ground manganese oxide to produce more vibrant black pigments.

Black was associated with fertility and rich, black soil, which the Nile flooded, in ancient Egypt. A black jackal embodies the god of the underworld, Anubis, who offered protection against evil to the dead.

Acheron, whose water was black, separated the underworld from the living world; black was also the color of the underworld. The lowest and darkest level of Hell is Tartarus, the realm of the worst sins committed.

The center of the pyramid was the palace of Hades, ruler of the underworld, upon whose throne was a black ebony throne. Ancient Greek artists favored the color black. A highly original technique led them to begin making black-figure pottery in the 6th century BC, followed by red-figure pottery in the 7th century BC.

The artist paintings black-figure pottery using a glossy slip of clay on red clay. Fired into black against a red background, the slip figures would appear against the red background. The space between the figures was painted with slip later after the figures had been reversed. The black background and red figures created spectacular contrast. Ancient Romans wore purple for the Emperor, red for soldiers (the officers wore red cloaks and the soldiers wore red tunics), white for the priests, and black for craftsmen and artisans.

They wore a weak and faded black since the vegetable dyes they used did not last and their blacks often turned out dull and gray. The Germans and Scandinavians worshipped the night goddess Nótt who rode a black horse-drawn by a chariot across the sky.

The different languages show the different meanings of the word black. As well as Hel, the goddess of the dead whose skin was black on one side and red on the other, they feared she was the embodiment of chaos. Additionally, they revered the raven. The Nordic pantheon believed that Odin, the king of the Nordic pantheon, had two black ravens named Huginn and Muninn who traveled the world for him, watching and listening.

Benjamin Gabriel

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